Category Archives: Ethics

Living responsibly

A hidden geography

The longer I live alone here, off-grid in Suurbraak, managing my son (Matt) and daughter-in-law’s (Sasha) small Niche Unity farming operation, the more absorbed I become in what I call a hidden geography, captured also in a short film by Green Renaissance:

 

Ostensibly, the film is a creation of Justine du Toit (producer), Michael Raimondo (director), Warren Smart (cinematographer), and Jackie Viviers (editor) all of Green Renaissance.

Back left clockwise: Jackie Viviers (editor), Michael Raimondo (director), Justine du Toit (producer) and Warren Smart (cinematographer)

My sense, however, is of deeper processes at work. Let me try to explain.

Seeing

For me the film was uncanny, as I had been looking for both pairs of my glasses up until minutes before Justine and Michael’s arrival to show me the rough cut of their movie. While searching, the question popped into my mind: ‘Hendrik, what aren’t you seeing?’, and then as if to reinforce the question halfway through their movie hanging in the barn were my glasses.

Déjà vu

For me seeing my glasses hanging in the barn evoked a sense of déjà vu, but what of the viewer?

The film opens in darkness, with nothing to see, just the sound of milking: ‘whoosh, whoosh’, cut to (narrative text is indicated in italics): And there’s nothing else, just you in this goat world, cut to Daisy’s eyes looking over the gate at the three of us inside the barn (Daisy is the matriarch) followed by the piano score and movie title, What actually IS superimposed over a close-up of a rather sinister image of one of the goat’s eyes (see the screen grab below),

What aren’t we seeing?

perhaps reminding us that goats are intimately associated with the occult – as in that which is hidden.

My sense is that the tension set up by the goats’ eyes juxtaposed with the glasses hanging in the barn lie at the heart of this little movie.

Loss

So if the movie is about seeing, what should we be seeing?
Is it a case of WYSIWYG (what you see is what you get): photogenic goats, an old man sounding off, footage of the luscious Suurbraak valley or is what we should be seeing invisible: as in that from which the visible emerges (the surrounding darkness out of which the goat’s eye peers, comes to mind)?

Certainly it’s not WYSIWYG, as the tight edits, narrative and voice-overs signal: It’s deep, deep stuff (Kashkha looking back into the camera). Humans have lost respect for animals (Daisy looking into the barn). Batteries and feedlots… If we don’t look after our animals and we just turn them into food factories … (aforementioned glasses, fade to antique Chinese urn, fade to transgenerational photographic image of Matthew glass raised as if toasting his father, fade to steaming clay and ash espresso cup from the Camino, referencing Sasha, born French, fade to barometer indicating stormy).

For me the movie reaches into what is below the surface and has been lost.

Hidden geography

So what has been lost?

I spend most of my day caring for and thinking about the needs of all the animals on the farm. They, in turn, are continuously conscious of my presence.

Each provides a gateway to other, or what might traditionally be described as God. I provide the animals with a sense of security, governance and routine. They put me in touch with that which is primordial (William Blake’s The Tyger comes to mind). This mutuality is the hidden geography.

This self-same geography Justine most likely sensed when she interjected: “If only we had had a camera here to capture your saying that.” Michael’s searching interview questions that evoked my responses helped articulate it. Warren’s saturated, pregnant footage conveyed it. Justine and Michael’s brief to Jackie must have spoken to it. Jackie’s uncanny, David Lynchian edits framed it.

All mentioned above, as also the goats, sensing something important was happening, helped us see: if we don’t respect them …the animals are lost, and their loss is our loss.

There’s rustic and there’s rustic

“Rustic is in,” Lianne assured me. “You must see the rustic bed made from pallets and lights in Pinterest” (see below)

The rustic bed that Lianne loved in Pinterest
The rustic bed that Lianne loved in Pinterest

Continue reading There’s rustic and there’s rustic

Transcript of Justice Malala’s interview with Finance Minister Pravin Gordhan

What follows is a transcription of sections of video footage shot by eNCA of an interview conducted by political analyst Justice Malala with South African Finance Minister Pravin Gordhan. The interview formed part of the annual Cape Town Open Book Festival hosted by the Book Lounge.

Continue reading Transcript of Justice Malala’s interview with Finance Minister Pravin Gordhan

No! to the proposed SA nuclear build programme

My written submission objecting to the proposed plan to put into effect the first stages of a plan to build approximately eight nuclear power stations for South Africa

I thank you for the opportunity to comment on the above.
History has shown that:

Continue reading No! to the proposed SA nuclear build programme

Seven black wattles


Every morning I awake torn between a desire to save the world and an inclination to savour it. This makes it hard to plan the day. But if we forget to savour the world, what possible reason do we have for saving it? In a way, savouring must come first (E.B. White)


“But Louis,” I remonstrated, “Look behind you. There’s a forest of black wattles.”

Continue reading Seven black wattles

Is Neil Young rehashing myths about Monsanto?

In a post to his LinkedIn account, entitled: Neil Young: We’re More Like You than You Think, Monsanto’s Chief Technology Officer, Robb Fraley, says of Neil Young’s The Monsanto Years album: ‘If you listen to the new album, you’ll hear a rehash of many of the myths we’ve long heard about our company’.

Continue reading Is Neil Young rehashing myths about Monsanto?

Why I shall continue eating meat

My intention is to clarifying for myself why I eat meat.

The question was shaped by a discussion I had via Twitter with Jo Lister,  BentoGrassConsumerAction,  Free Ranger and @EGalgut (account closed and apparently subsumed into Bento), and via  The Daily Pitchfork with James McWilliams, Janet Schultz and Charlie Talbert.

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Our responsibility towards the animals we farm

The message I glean from our goats: is it necessary also to disrespect us?

Early morning I looked at Daisy (matriarch of a herd of 4 adult and 6 baby goats) standing at the entrance to the enclosure, and asked her please to let Kashka through, whose turn it was to be milked. Daisy stepped aside, and Kashka slipped in.

Surprised, I gratefully responded, “Thank you mama. Thank you.”

Daisy looked back at me with those clear, yellow glass eyes of hers and flashed, “No problem”, turned aside to meditate in the sun.

Continue reading Our responsibility towards the animals we farm

What happens after trust is lost?

I noticed a hard cyst on Pegasus the goat (see above and the footnote). I was staying on Matt and Sasha’s plot in Suurbraak (footnote). The following day the cyst was oozing. Sasha explained via email how to treat it (footnote).

Continue reading What happens after trust is lost?

Writers who help me make sense of my world

My concerns are a deadness consuming our planet, and tyranny. I believe the two are related, in that at their core is the human species, you and I. Deadness and tyranny take many forms but come about mainly because I disassociate by failing to own the actions that flow from who I am, and for what I stand. Consequently I live entirely in my head, being unable to feel anything. The extracts quoted below speak in their individual ways to these themes.

Continue reading Writers who help me make sense of my world